Skip to main content

Getting to the Finish Line

 As we near completion of any project or quest, we may bog down at times, or see a Shiny Object - (I think we all have a bit of SOS - Shiny Object Syndrome!!) it may be the call of another class or training, wanting to redo an earlier painting, or just that life 'happens,' and we begin to vere off course ... 

As recently mentioned in the group, now is a great time to purchase a copy, or download the pdf of the Color of Woman book, for present and future inspiration and tons of wonderful information and gems of wisdom!

Blessing Flower

This fear of missing out, and an urge to chase the Shiny Object are part of a Mindset that can lead to distraction! What would it take to start, and then see if we need more information? Can we set a task aside for a wee bit as we gather info, or start on a simpler one?

I love Jena's monthly posts outlining the basic 'to dos' which can really help us focus in!

It may help to print or write out the assignment list, and sort them into Ta-das and ToDos, then fine tune the second list by: 

  • Easy peasy
  • A bit more challenging, but I've got it!
  • YIKES! 

The blessing flower format is a creative way to arrange your ToDos, then 'pick a petal' to focus on!

And for those yikes - remember to tug on the red thread - and that's often where the juice is!! Do you need more information? Who else is working on this assignment? 

In addition to various physical challenges and unavoidable tragedies, which can through us off course,  consider Mindset / limiting beliefs. Some of these might be:

  • too little: time/ money/ energy. 
  • I'm not as artistic as others // 
  • I've got an art degree (and this should be easy for me!)
  • Chatter from the Perfection Diva and Critic
  • I'm not sure how to get inspired again!
  • I'm Overwhelmed!
  • I can't get students [beloveds] for my class ...
Some of the solutions for these
  • Simplify - it doesn't need to be a magnum opus
  • Organize: put it on your calendar! 
  • Can you commit a bit more time each week?
  • Gather tools and information you need to compete an assignment
  • Do a bit at a time (even 20 minutes a day - or 5, if that's all you've energy for!)
  • Use your tools - story cards to address old stories, vision plan book, medicine basket 
  • Create new story cards as you identify other old stories that are tripping you up!
  • Collaborate, teach each other! 

If you halted during a painting, sitting about 6' away with your morning café and journal is always a good place to start as you revisit Her - does she need more work, or is she done for now? Ask her! Again, simplify! (You can always return later - she'll call you back!) Jot down any 'for later' instructions, and revisit her when you're both ready!

If you've got several paintings to do, consider competing the current one, and be sure to do the journaling! Receive her message, and ask her assistance in moving forward. I love Calling Council with several of my ladies! You can work on more than one painting at a time - Shiloh does this herself! Find what works for you! 

Be sure your studio is set up so you can do this easily, and put taking café with your paintings and process on your schedule - your own notes are a goldmine for future sessions and classes!! 

Check with the group, and see if anyone wants to paint or work on RT projects together virtually (it doesn't need to be the same painting!)  Share a Red Thread circle at the beginning, set a time frame, check in at the end! Be sure to sit with your cuppa and journal (at last 6' away!!) during/ after the session.

Red Thread mini altar

You've got this!! Really!

Comments

Popular posts from this blog

Pivots

  With the lockdown in 2020, we began offering Virtual Circles as a pivot from the in person gatherings I hosted the previous 5 years, after graduation from Color of Woman . One of those early circles was   Thinking Cap .  Some of us had done the process during a Guild members call, and we chose it for our August virtual   Red Thread Circle  offering. Thinking Cap 2020 What image comes with the phrase "put on my thinking cap?" How do you access information and your intuition - do you have different access channels? Are there different caps for different purposes? What feels unique?   What similar to others? I love our circles - over the past 6 years women have joined from Oregon, Washington & California, to Arizona, Wisconsin, Ohio, New Jersey,  ... & Florence, Italy, Ireland, England, Germany, NZ, and even India! It is always a treat to see how our muses interact and inspire each other.  For Thinking Cap , we began with a couple of readi...

SOULWork

The invitation reads: " Your SOULWork Project is a culminating presentation exploring Intentional Creativity as applied to a personal interest. Plan to take 6-8 hours taking your interest to the 'next level.' Document in the way that makes sense: writing, link to a hosted URL, etc." How do we make that connection between a personal interest and IC? A good place to begin is to pull out your journal, your Medicine Basket, and  draw a couple of Story Cards.  Sit with your paintings, and inquire,  What are some of my Personal Interests and how do they dovetail with IC?  How can I serve MY beloveds and my Soul Purpose?  Perhaps do a Metacognitive Drawing around the inquiry.  I originally wrote about my SOULWork from the perspective of being a Grandmother, and using it to support my grandchildren. While that's been a part of work since the beginning, when my 4 year old grandkids added strokes (invited!) to my CoW paintings, I realize that another thread is my off...

That Risky Glaze

  Beloveds who are new to our painting community are often a bit nervous  (shakin' in our boots!)  when it's time to do the first glaze! And why not? We're got several layers on the canvas, we may really like what's there -  and now you want me to cover it up??  Ugh! How do we best explain and share the process with these new beloveds? When I took my very first  Muse class  in 2014, I was having a good time with ceremony, visioning, painting and journaling, ... Then Elisabeth told us we were going to paint over our canvas with a  Risky Glaze  - ¿paint over? ¿glaze? Yikes!!  So how do we glaze and why? Applying a glaze, a thin layer of translucent paint, is a great way to integrate what has gone before, and is a key component of our process with Intentional Creativity® It is also a simple way to add  Mothercolour , which brings harmony to the whole painting. APOTHECARY - glaze and biophotons Supplies : Spray bottle, adjusted to mist ...